filmmakers who want to understand the mathematics, theories, and technical structure behind cinema.
Rather than focusing on an engaging reading experience, the book seems more interested in explaining the logic and mechanisms behind filmmaking. It feels like the kind of material that might help someone understand how a director constructs a film, develops a screenplay, and connects different narrative elements—similar to analyzing the intricate storytelling techniques in Sukumar's films.
For someone interested in filmmaking as a craft, these theories might be valuable. However, for an ordinary reader who simply wants to enjoy a book or understand cinema in an accessible way, the material may feel overly technical, abstract, or difficult to connect with.
My impression: This seems more like a technical guide for people who want to make films than a book for people who simply want to read and enjoy them. Its value depends on whether the reader wants to understand the mechanics of cinema or experience its magic.